O protofacismo dos Wagner, por Theodor Adorno
نویسندگان
چکیده
منابع مشابه
New Media Art and a Contemporary Revision of the Term 'Cultural Industry' of Theodor Adorno
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To judge by contemporary cinema—think of Lars von Trier’s Melancholia (2011), or Terrence Malick’s To the Wonder (2012)—the claims of obsolescence as regards Wagner read like a chronicle of an end foretold. Aesthetic and political ambivalence, however, still remains the hallmark of Wagner’s aural effect, no matter how innocent the uses of his music (in cinema or elsewhere) might currently sound...
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ژورنال
عنوان ژورنال: Idéias
سال: 2017
ISSN: 2179-5525
DOI: 10.20396/ideias.v8i1.8649775